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the southlondonmuseum launched and founded in 1999 presents the work of Alma Tischler Wood, co-founder of art collective, www.foreign-investments.com as well as ongoing collaborations in dialogue. Visits by appointment only. See also: http://cargocollective.com/almatisch      Thank you

IMMISCIBILITY 2019, a chemical experiment in reactivity APT Gallery. Exhibiting artists: Amy Dickson, Nicky Hamlyn,  Jamie Jenkinson, Paul Malone, Nicola Rae, Steven Scott, Alma Tischler Wood

WELCOME TO THE FAKE: PHOTOGRAPHY AND THE POLITICS OF AUTHENTICITY

a one-day symposium on 14th July focusing on the relationship between urban photography and the politics of ‘the fake’ in a time of shifting perspectives around what constitutes ‘the real’. organized by Goldsmiths, The Sorbonne and UPA – The Urban Photographers’ Association.   http://www.urbanphotographers.org/ https://thephotographersgallery.org.uk/whats-on/talks-and-events/welcome-fake-photography-and-politics-authenticity

FLOWER POWER is an art event and workshops dedicated to the Brockley area, conceived and devised by Arthouse members, Alma Tischlerwood (curator & artist) and Heather Steed (artist & writer). Flower Power addresses complex issues surrounding the relationship between communities and their local environments. Flower Power is designed to kickstart an on-going process of art based social engagement and care for our environment, connecting local communities with an opportunity to experience different art practices. http://www.lewishamarthouse.org.u

We like to thank the Brockley Assembly for funding FLOWER POWER 2018


Left Hand by Alma Tischler Wood in collaboration with curator/artist Adam Nankervis (Museum Man)

The group exhibition: SELF-ORGANISATION curator: Antonio Ortega. The Fundació Joan Miró 16/02/2017 — 21/05/2017curator, Antonio Ortega at Miró Foundation Barcelona 16/02/ & 21/05/2017 Self-organization includes a number of international artists, including Gilbert and George, Gustav Metzger, Joan Miró, Adam Nankervis (Museum Man), Yoko Ono, Michelangelo Pistoletto. The exhibition is also an attempt to understand recent art and confirm the current validity of these dynamics.
Self-management traces do it yourself practices from the pioneering artists of the sixties to the present. Through strategies that could be considered self-managed, these artists have taken control of their production and the emission and reception of their works with gestures of empowerment that have resulted in new ways of relating to the artistic system. The works of the exhibition form a constellation of practices and gestures that constitute a defense of the continued power of the imagination and the creativity.

MuseumMAN artists
Stephan Apicella Hitchcock, Anne Bean, Frank Blum, Francesca Bertazzoni, Ben Carey,Sico Carlier,Francesca Cho, Mateusz Chorobski, Mitya Churikov, Layla Dangelo, Misha Dare, Paul Darius, Alan Dunn,James Edmonds, Noel Ed De Leon, Peter Fillingham,Thomas Heidtmann, Klaas Hübner, Sarah Johnston, Brigitte Jurack, Elmar Kaiser, Daniel Kupferberg, Roberta Kravitz, Marta Leite, Cyril Lepitit, Peter Lewisi, David Medalla, Paul Meinel, Marita Muukkunen, Adam Nankervis, Anna Orlowski, Alwin Reamillo, Denis Salivanov, Dirk Sorge, Ernst Markus, Stein, Ivor Stodolsky, Estela Stokol, Anja Teske, Alma Tischler Wood, Valerie Vivancos. http://www.fmirobcn.org/visita/en_com-arribar/

 

Y&A 1

‘Madame Lavoisier’s Drawing Room’ – solo exhibition, Munich (2014)

Lavoisier small room NEW

Tischler Wood’s new room installation at the Artothek & Bildersaal, Munich zoomed into of the physics of heat with  painted abstractions on walls and canvas, zooming into Madame Lavoisier’s social life of the 18th and 19th century. 

‘Bird Home’ – part of Wild New Territories, Botanical Museum and Gardens, Berlin (2014)

CelesteWNT showcased new visual art, media and performances. Curators: Kathy Kenny and Ron den Daas. Artists: Julie Henry, Gordon Cheung, Dana Claxton, Ron den Daas, Jamie Griffith, Edgar heap of Birds, Foreign Investment, Kathy Kenny, Max Kimber, Michael Landy, Glenn Lewis, Diego Samper, Gillian Wearing, Alma Tischler Wood and Cornelia Wyngaarden. consisted of bird boxes installed in selected trees in London, Berlin and Vancouver. Each bird home was individually made, embellished with gold leaf and vibrant colours, post modern sculptures yet bird boxes at the same time. All materials were rescued from a skip outside one of Britain’s best-known art schools. After the exhibition Tischler Wood donated her ‘Bird Homes’ to birds in the cities of Berlin and London to nest. 

 

 

 




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